Music

I always begin with journaling. An entry may become a poem; sometimes it becomes a song instead. This page gathers the releases and part of the songs that grew from my daily practice.

How these songs are made

Most people think using AI to make music means pressing a button and letting a algorithm guess what you want. For me, it is entirely different: the song begins when an idea hits, I sit down, and I start writing.

From there, AI becomes my instrument, helping me translate the arrangements and voices in my head into actual sound. I listen, reject, revise, and direct every detail before handing the track to a human sound engineer for final mixing.

I’m drawn to this process because it fundamentally expands what a writer can build. I don't need to learn an instrument to bring a song to life; I can stay a writer and let new tools take the words further.

Released Singles

Release cover: From the Road

From the Road

From the road, it looks like peace. Nobody sees the hours, the effort, or how long it takes to get back up. This song is about surviving a season of exhaustion and uncertainty without knowing what comes next and learning, for now, to stay where the light is.

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Release cover: I Knew This Time Would Come

I Knew This Time Would Come

This song came onto the page like a breakup that had been going on for a year. It is a goodbye to a version of myself I had outgrown, written with gratitude for everything she did to get me here.

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Release cover: I Am the Season

I Am the Season

Other people were blooming while I felt stuck in frozen ground: children, promotions, money, milestones arriving for everyone else. This song is about letting go of the life I thought I would have and returning to the one in front of me.

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Release cover: Quiet Revolutions

Quiet Revolutions

An EP connected to Behold: Life Beyond Grief. Each track began with a selected poem in the book, returning to the same period of infertility, failed adoptions, and learning to live without making my worth depend on becoming a mother.

Featured track: Promised

Promised began with a dream I had years before I knew I wanted a child. In it, I was told I would have a daughter named Maria Tereza. The name stayed with me. Later, it became the poem “Maria Tereza” in Behold, and then this song.

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Maria Tereza — the poem from Behold: Life Beyond Grief
Release cover: From the Beginning

From the Beginning

An album written with the memoir series, built from a diary I kept in 1998.

As I wrote each part of the series, a song often came with it. The album follows the same return to those pages, but the songs take their own route through the people, scenes, and feelings I found there.

Featured Tracks

Back Page

Years after we left high school, my classmate Ronaldo told me that he used to check the library records to see which books I had borrowed. If I had read it, he assumed it was worth taking home.

I wrote this song from his perspective, imagining what it felt like to follow someone through the books they left behind.

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Spell for a Girl Who Remembers

When I was a teenager, I wrote about a witch named Possidonia. She was clever, curious, and free in ways I did not yet know how to be.

I wrote this song as an incantation. Possidonia sings it to the girl who created her, saying her name softly and calling her back.

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These tracks are part of a larger album that follows the memoir series from beginning to end.

listen to the complete album

Songs from Lu's Story

I wrote Lu's Story at a time when the state of the world was making me anxious. I did not want to become harder in response to it, so I brought those fears into a fantasy story instead.

Each chapter has a song written from inside Lu's world. Some are sung by Lu. Others come from the characters she meets as she moves through a land changed by the Harsh Winds.

Lu, a fox with wings, standing at the threshold of a cave

Sway

Everything feels as though it is changing quickly now, from technology to ordinary life. Sway belongs to the moment in Chapter One when Lu, having lost the world she knew, must decide whether to remain inside that loss or follow a faint pull toward something unknown.

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While writing it, I kept returning to the tenderness of impermanence: the way something can be precious because it cannot be held forever. The Japanese idea of mono no aware, a bittersweet awareness of life’s transience, helped me find language for that feeling.

Lu wakes in a world drained of color, far from the Deep Groves and everyone she loves. Her flowers bloom briefly beneath her paws, then fade in the harshness of the Between-Space. But one small blue flower remains.

It does not promise a return to what was, but it becomes a reason to move: a light that lasts one moment longer than she expected.

Sway is Lu listening to that small light. Her wings remember how to fly before she fully believes she can. She is learning to let change move through her without letting it take all of her with it.

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What They Cannot Burn

While I was writing this chapter, I kept thinking about the destruction of libraries in Ukraine: archives damaged or erased, the violence of deciding that certain stories should not survive.

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In Lu's story, the Archive of Empathy is burning, but the books are not random. The Harsh Winds begin with the ones about listening, sharing, cooperation. The stories that make it harder to believe we are alone, or that another creature's suffering has nothing to do with us.

Kira knows she cannot save the books, so she memorizes them. And when she gives Lu the memory stone, she is passing on more than a hidden text: an old story about the first Keepers of Thresholds, who chose understanding over force when worlds had become enemies.

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Dangerous Dreamer

In Chapter Five, Lu reaches the floating islands: communities close enough to see one another, but separated by fear. When she tries to make a path between them, the residents answer with weapons. Her attempt to connect them is met with violence, and Lu begins to wonder whether the world is right to call her naïve.

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This song stays with that doubt: the moment when believing in connection begins to feel like a liability, and hope is made to seem childish or dangerous. Lu does not yet have an answer. She only has the unbearable question: what does it cost to keep imagining a future when those in power would rather convince you that no other future is possible?

Dangerous Dreamer came from reading about journalists and democracy advocates around the world, but especially in Hong Kong, who continue to speak, organize, and imagine a different future under enormous pressure.

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Encantada

Encantada is a conversation with the girl inside me who learned, very early, to earn love through performance. It's written in Portuguese, and it arrived after I understood that she had never needed to prove her worth to me. That girl had only been waiting to be met.

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A note on collaboration

This work is personal, but I am occasionally available to bring this part of my practice into the right project.

Listen and read

Additional unreleased tracks and their stories live in Figments of Creativity.